Michael J. Lee is a Boston-based architectural photographer who has built an enviable career over a combined twenty-eight years of interior design and photography experience. He has shot uncountable interiors and exteriors by prestigious architects and designers, along with more than 50 print magazine/book covers. In addition, Michael is a recipient of awards from The Room to Dream Foundation, The Boston Architectural College, and The American Society of Interior Designers. Most recently, Michael’s pointed eye has been celebrated in the March 2020 release of the new hard cover book, New England Modern, serving as collaborator with author, Jaci Conry, and sole photographer capturing 10 of the finest interior designers throughout New England.
M Fine Arts: In your career you’ve worked on many incredible design features. What do you look for when photographing an interior? What makes it special or excites you about space?
MJL: Honestly, the first two things I look for is the art and the homeowners’ personality. Those two critical factors matter significantly to publications. Those factors lead to a home telling an engaging story. Great architecture is another critical factor, often times the money shots are the ones framed by the architecture. It's the architecture that dictates on many levels the camera’s perspective and, therefore, point of view - furniture, etc can all be moved to suit the camera’s point of view. How those factors relate and their relationship with the camera is what makes for a compelling photograph. Lastly, I would say quality of light. Sometimes it has to be created, but when it's done well the viewer will never know it's not real, and that is essential to a great photograph.
M Fine Arts: How do you know when you have a successful shot?
MJL: LOL, when a magazine emails to tell me it’s the cover! No seriously, what makes a shot successful is that moment when I first put the image on the computer and I watch very carefully my client’s reaction. That is what does it for me. I spend a good amount of time getting things as near perfect as possible through the camera, and it’s when I project the image to the computer for my client to see, it’s in that moment of revelation that I know if I got it right. It’s all about their emotional reaction for me.
M Fine Arts: How do you see the role of art in a beautifully designed space?
MJL: My mentor, Estelle Bond Guralnick, always said, “Good art can make a bad space great and bad art can ruin a good interior.” I’m not just saying this, art is incredibly crucial in making a compelling room. Art in many ways is the soul of a room.
M Fine Arts: What do you look for when acquiring art for yourself?
MJL: An emotional connection I think is critical for everyone. If something doesn’t immediately speak to you it’s not going to grow on you. Art can lead to emotional well being and if it doesn’t move you then it is dead.